DC Comics revamps its Superman character to fit into the new American landscape. Superman takes on police brutality with the help of artist Aaron Kuder and colorist Tomeu Morey.
Excerpt from Counter Current News article:
By the end of the new “Action Comics” #41, a block party for Superman is disrupted by police in riot gear.
The onus is now shifting to a balance more reflected in the Constitution. The accusations of law enforcement are now being met with suspicion and skepticism, and with more and more cops caught on video behaving badly, the public is starting to wake up to the fact that the police have been treating people of some backgrounds, groups and classes very differently than others.
Now, a huge indication of that change in the social barometer is one of DC Entertainment’s big comic revamps this summer. In the revamp, most of Superman’s powers are gone — but he’s still superhuman, and basically still big as hell.
“Black Americana” is a project aiming to deconstruct negative stereotypes through redefining and “reappropriating” relics of black americana. The goal of this first installment, says artist Tanisha Pyron, is to explore the dynamics between black women and men at various points in the African-American historical timeline. “[We’re] looking to quantify and establish what it took for one black man to love one black woman in the past and what it takes now and cast vision for it will take generations to come,” she writes.
To learn more about “Black Americana”, check out their Facebook page. Take a peek at some of the photos from this first installment below!
WILDERNESS INTO A GARDEN, DAEGU ART MUSEUM, SOUTH KOREA
30th May – 18th October 2015
In 2015 the Daegu Art Museum will present a solo show of Yinka Shonibare, a British-Nigerian artist.
Approximately 80 of his pieces including sculptures, two-dimensional works, installations, and video works will be on display, showcasing his extensive range of art. The exhibition will be comprised of six sub-themes: money, play, empire, conflict, environment, and love.
Shonibare employs an adaption of individual elements upon which our common impressions of African people have been predicated in his own artistic idioms. His mannequins wearing traditional African costumes in bright, loud colors are a symbol, metaphor, and implication of the violent imperialism Western powers have committed in the past century toward the “black continent”. Hidden behind the mannequins’ humorous, hilarious actions is the artist’s criticism of the “monster of outrageous capitalism” dominating the spirits of people around the world. The Daegu Art Museum has paid special attention to his works since the topics he raises such as colonialism, post-colonialism, globalization, and cultural identity are inextricably bound up withKorea’s historical and cultural contexts… More
Stop Telling Women to Smile is an art series by Tatyana Fazlalizadeh. The work attempts to address gender based street harassment by placing drawn portraits of women, composed with captions that speak directly to offenders, outside in public spaces.
Tatyana Falalizadeh is an illustrator/painter based in Brooklyn, mostly known for her oil paintings. Having recently branched out into public art as a muralist, STWTS was born out of the idea that street art can be an impactful tool for tackling street harassment.
Aiyana Stanley-Jones, age 7, shot in her bed by Officer Joseph Weekely of Detroit SWAT on May 16, 2010. Out of all the articles published , Charles LeDuff captures this heart wrenching saga best. Not who, but “What Killed Aiyana Stanely-Jones?”
The SWAT team tried the steel door to the building. It was unlocked. They threw a flash-bang grenade through the window of the lower unit and kicked open its wooden door, which was also unlocked. The grenade landed so close to Aiyana that it burned her blanket. Officer Joseph Weekley, the lead commando—who’d been featured before on another A&E show, Detroit SWAT—burst into the house. His weapon fired a single shot, the bullet striking Aiyana in the head and exiting her neck. It all happened in a matter of seconds.
Ex-Anchorwoman Charlo Greene (Charlene Egbe) for KTVA celebrates her work with Alaska winning the fight to legalized marijuana for recreational use. Greene’s business, The Alaska Cannabis Club, served as the only clearinghouse connecting Alaskan medical marijuana card holders with legal suppliers. Legalizing recreational marijuana in her state not only boosts her business, but lowers the stats for those imprisoned for non-violent crimes in America.
Women of Power organizations, clubs, and seminars draw hundreds of women, yet no one celebrated Charlo Greene’s explosive on the air exit from her KTVA Anchorwoman position except the media. Greene’s choosing her business over profitable employment should empower many women — and men to consider free enterprise. The November 5, 2014 Huffington Post article goes more into detail about what this means to Alaskan politics. Enjoy and a hearty Congratulations, Charlo Greene. #OYRchallenge
Charlo Green quits, September 22, 2014 video:
“Honestly I don’t even know what to say right now aside from the fact that we just made history,” Greene said in a video posted to her Facebook page early Wednesday morning. “It’s a fact. We just made history for doing a good thing. Congratulations.
In this comprehensive review of Justin Simien’s first film “Dear White People,” published in “NewBlackMan (in Exile)”, Stephane Dunn teases out the academic and cultural notations guiding this redress on post-racialism. The film’s production and acceptance by the viewing public stands as a step forward in the overt race conversation. The title alone, in earlier years and still today, would have whites and fearful Blacks running the other way. Yet, “Dear White People” is making its rounds in theaters across the United States. Progress at least among some populations.
Dear White People doesn’t merely copy or recycle still relevant cultural critiques about the racist imagery that infuses film and American culture though Simien certainly traverses some familiar ground – racialized representations in pop culture and warring notions of black authenticity, brought up to date with Aaron McGruder-like Boondock boldness. Dear White People adds its own chapter taking on ‘post-racial’ – ‘post-black’ contemporary discourses. However, that and title aside, its concern is with a range of competing social identities, particularly class and sexuality and the intersection of these with race. Race is as much a device as key theme.- Stephane Dunn
Similar to Ferguson, Missouri’s recent protest in the murder of Michael Brown, among other young Black men and women, some in the African American community sit astraddle the discussion of race. Our scholars and young are eager for the discussion to expand beyond academic discourse. The older and fearful or ‘conservative’ wait to mingle among the crowds that gather or recline – if a spark is not ignited. The mixed bag is historic and similar to any community. Still this historic step forward does not require the total capitulation of the African American community. The mere progress of this film speaks for itself.
Read this review. See the film. Then, bring this conversation of race and identity to your dinner table, clubs, and communities.
Classical Music meets Hip Hop: Kev Marcus of Black Violin at TEDxFIU
“Black Violin is the blend of classical, hip-hop, rock, R&B, and bluegrass music. Live, they are accompanied by their crack band, featuring ace turntable whiz DJTK Dwayne Dayal and a drummer. Named one of the hottest bands at SXSW in 2013, Black Violin was invited to perform at Bonnaroo and returned to SXSW this year to SRO crowds.“Black Violin works hard, but makes it all look like play… Sometimes they play with the intense seriousness of orchestral soloists; at others they fiddle as if at a hoedown; at still others they strum the violin and viola like guitars.” New York Times
Black Violin performing “Stay With Me”
Since starting Black Violin a decade ago Wil Baptiste and Kevin “Kev Marcus” Sylvester have performed an average of 200 shows a year in 49 states and 36 countries as far away as Dubai, Prague and South Africa, while appearing at official NFL celebrations for three Super Bowls and last year’s U.S. Open in Forest Hills with Jordin Sparks. Their groundbreaking collaboration has seen them play their music for everybody from the troops in Iraq to both the official President’s Inaugural Ball and the Kids Inaugural in Washington, DC, where Barack Obama himself gave each a hearty hand-shake. Individually and together, Black Violin has collaborated with the likes of P. Diddy, Kanye West, 50 Cent, Tom Petty, Aerosmith, Aretha Franklin and The Eagles.”
Black Violin COVER: Bruno Mars “Locked Outta Heaven” + MJ “Beat It” [MASHUP]
Liberia was established by citizens of the United States as a colony for former African American slaves and their free black descendants. It is one of only two sovereign states in the world that were started by citizens of a political power as a colony for former slaves of the same political power: Sierra Leone was begun as a colony for resettlement of Black Loyalists and poor blacks from England for the same purpose by Britain. – Wikipedia, http://en.wikipedia.org/wiki/History_of_Liberia
Uploaded on Feb 5, 2012
Liberia’s capital Monrovia, Australian tourist on a motorcycle.
Neighbourhoods: 0:00 Downtown 3:53 Perry Street 5:58 Johnson Street 6:35 Frances Doe General Market 7:03 Waterside 8:46 Revolutionary Road Beach 9:35 Miami Beach 10:02 West Point 11:51 Tubman Boulevard 12:10 Barolle Practice Ground 12:44 Singkor Beach 13:46 Congo Town
Track list: 0:04 Alonzo – “Letter To the President” 4:09 Morris Dorley – “Who Are You Baby” 6:15 Marc Aryan – “Liberte” 7:22 Killa D & Devilsky – “LIB Boys” 8:47 Tru Storry – “Everybody Song” 10:03 Monrovia – “Forgayzee” 12:44 Eazy P – “More Money More Problems” 13:46 K47 – Servivor