Shonda Rhimes is talented and bold in her woman hood. This may be why she has been able to produce such vibrant characters in her scripts. So does she have a right to be angry at the latest attack from New York Times critic, Alessandra Stanley? This has been the year for the #OYRchallenge. Our women, men, and children are coming out in force against racist stereotypes. The answer is so what if I am angry? I am human too or is that still in question? Alessandra Stanley, your green eyes are showing!
The Angry Black Woman is a racist trope used to deny black women their humanity. Black women aren’t allowed to be complicated — they’re just angry. Black women aren’t allowed to be upset or vulnerable — they’re just angry. Black women are not allowed justifiable reactions to the myriad of bullshit — racist, sexist and otherwise — that they face. Oh, you know those black ladies are just so angry all the time.
This review of Blackishby Lisa B. Thompson is well worth the read. As a former student of her classes, – and I mean classes, there is no one better to review our media. She has the energy, insight, and talent to find and critique most of our popular culture. Thompson’s work is guided by a serious love for her work and an insane passion for theater. Catching this review of Blackish was a gem. Thank you, Professor T.
This year also marks the 30th anniversary of Bill Cosby’s black middle-class family sitcom featuring Cliff and Claire Huxtable and their five brilliant, gorgeous children, once the most popular program on TV for viewers of all races. Even children today who catch episodes become instant fans.
Unfortunately, till now, American television has yet to replace it with another show about a middle-class black family. In fact, images of black middle-class families have disappeared from the cultural landscape, reinforcing false notions only one authentic black experience.
On ABC’s This Week Sunday morning, Rep. Keith Ellison (D-MN) called out Tom Cole (R-OK) for his claim that President Obama is responsible for the automatic budget cuts set to go into effect if Congress cannot reach a budget deal by March. The so-called “sequester” includes steep defense cuts intended to motivate Republicans who refused to agree to any deal that included a tax increase in 2011.
When Cole tried to pin the cuts on Obama, Ellison reminded him that Cole himself voted for the Budget Control Act that created the sequester:
For now, Braxton is focused on the silver screen and will make her leading role debut in Lifetime’s Twist of Faith. The film tells the story of a single mom who sings in the gospel choir and falls in love with a Jewish man.
Braxton also plans to continue appearing on her family’s reality show, Braxton Family Values, although she seems to have mixed feelings about reality TV.
Fruitvale has become the darling of this year’s Sundance festival, and rightly so. The drama, chronicles the real-life murder of 22-year-old Oscar Grant, who in the early hours of New Year’s Day 2009 was fatally shot in the back by an officer after being detained in the wake of an altercation that he was not involved with. The incident, captured by the camera phones of numerous onlookers at the Fruitvale BART train station in Oakland, prompted national outrage in what was not the first and would certainly not be the last senseless murder of a young black man at the hands of law enforcement.
Ever since the Curry ousting (which many insiders have claimed Lauer was responsible for) viewers have left Today for ABC’s Good Morning America. The blame is allegedly being placed on Lauer, and NBC is reportedly looking to remove their “image problem” and gain back their ratings.
In an age of enlightenment, “again,” we are now ruminating over old modes of thinking and finding most of the time that old taboos are back in style. So it seems with the term, Cougar. The TV show “Cougars” revamped something that folks had the sense to only whisper about. Then again, they only whispered it if someone spied one of the neighborhood boys creeping out of a woman’s back door. I read a blog recently that questioned the impact of the word Cougar in 2010. Here was my response:
If you really want to understand why educated women become insulted being called a “Cougar,” read the Audre Lorde essay, “The Erotic as Power.” Your argument is outside of the context of womanhood (although well meant). As a man in a society defined by men, relating to a woman’s perspective beyond the sexual is non-existent. Regardless of how intelligent men proclaim a woman to be, her scale of intelligence is always based on his (as any human), and subconsciously, exceptional in-spite of her sex appeal. Speaking from a divorced 52-year-old African American woman’s perspective, the majority of younger men who are doing well are attracted to older women for their mature out look and economic prowess. The younger men who are not doing well, need some place to live. This is a personal experience and is not a blanket statement of younger men. They always need or want something, not necessarily monetary. Older single women have usually been through experiences that have left them drained and really do not want to mother or be fathered. They are usually self-maintained or it would benefit them more to seek out older well-established men. So leaving the sexuality at the door, educated Africans are realizing that older women are an asset that the African community can’t live without. We are the griots of culture, the power of nature, the harbingers of secrets, and the wives of a tired culture that still has not learned to respect itself first; therefore call their motherheads Cougars.
Not a single word in the entire collection of world dictionaries has raised the hair on the back of my neck as the word Cougar. No disrespect to the fine actors on the show, Cougars, but women of substance have an obligation to boycott and protest against anything that teaches our young women that sexual power is not worth preserving.