[BlackCinemadb.com] compiled a list of movies from the BlackCinemadb.com database and found some powerful movies and films that make us rethink the notion of freedom from a social, political and psychological perspective (some of which are currently streaming on Netflix).
Source: Walter McBride / Getty Jesse Williams’ recent BET Awards speech on Black liberation and racism woke up America and garnered new fans–including famed writer and activist Alice Walker. The Color Purple author inspired by the Grey’s Anatomy star, she wrote a powerful poem and posted it on her website. Here It Is addresses the…
This Andie Berry article published in Everyday Feminism is a necessary item in the Black Girls toolbox.
Andie Berry writes:
I often felt like my parents were teaching me to be a complacent, extremely hardworking robot-woman (i.e. the mammy archetype). I now realize that they were doing their best to teach me how to survive the intersections of being Black and a woman in a world that hated both.
Historical speech given by Harry Belafonte at the 2014 Governors Awards. Featured also, Sidney Poitier.
It was Robeson who said, as you heard in the film earlier, ‘Artists are the gatekeepers of truth. They are civilization’s radical voice.’ This Robeson environment sounded like a desired place to be. And given the opportunity to dwell there has never disappointed me.
For my like of activism and commitment to social change, the opposition has been fiercely punitive. Some who’ve controlled institutions of culture and commentary have at times used their power to not only distort truth, but to punish the truth-seekers. With interventions like McCarthyism and the blacklist, Hollywood, too, has sadly played its part in these tragic scenarios. And on occasion, I have been one of its targets.
GriotWorks of Philadelphia, PA offers cultural competency courses for African American youth and adults. Below is their Griot Sway Youth Music video. These are truly talent young individuals.
GriotWorks is a signature organization in producing and presenting artistic work based in African American traditions, storytelling and culture. Modeling our work after the role of the “Griot” or “Jeli”, storytellers in West Africa who hold communities together by sharing stories that relay history, educate, honor traditions, share morals and envision a collective future, we aim to serve communities and audiences by doing the same.
The Hollywood Reporter‘s Justin Lowe interviews 31-year-old writer-director Justin Simien on his journey to produce “Dear White People” due to hit nationwide theaters on October 24, 2014. Already, the film’s various samplings circulating social media is causing the necessary buzz to go blockbuster. But is this all buzz and no bear? We’ll see next week.
When you’re writing and directing a satire like Dear White People, how do you blend narrative content and social commentary so that they effectively inform one another?
For me, the thing that I always try to do is to decide very early on what it is the movie’s about at its core. If a scene that says a bunch of things I want it to say can’t hang on the core of the film, then it doesn’t belong there. For me, I felt like the film was really just about the conflict between a person’s identity and their true selves. Everything that happened in a scene has to hang on that conflict and specifically has to hang on that conflict in relation to the arc of the four main characters.
“We need diverse books. We need to make them, buy them, read them, review them, talk about them,” award-winning cartoonist Gene Luen Yang told GalleyCat in describing his support for a social media campaign to diversify the publishing world. “Our world is colorful, so our books should be too.” This summer, Yang teamed up with Sonny Liew to release a new graphic novel called “The Shadow Hero,” based on a character named the Green Turtle who was first introduced by in the 1940s by pioneering Chinese-American cartoonist Chu Hing. The Green Turtle has since been dubbed the first Asian-American superhero by fans and prompted colorful dedications from artists across the genre. “Shadow Hero” is Yang’s third book; his last one, 2011”s “Boxers and Saints” was nominated for a National Book Award. His “American Born Chinese” came out in 2006. Yang is one of a handful of working cartoonists whose work about identity has blown up in recent years. He suspects that at least part of the reason can be found in America’s changing racial demographics. “I think [identity] is something we all deal with now,” he told Colorlines over the phone. “I think that most of us have had some sort of experience when we’ve been some sort of minority for whatever reasons. It’s difficult to grow up now in a mono-ethnic culture. People are now realizing that identity is something you have to actively construct when you get older.”
Outside of the heavily marketed superhero comics from Marvel and DC, graphic novels are, sadly, as bad in the diversity department as other sectors of the publishing industry. While people of color make up 30 percent of America’s population, only 10percent of children’s books — which categorizes graphic novels — contain multicultural content, according to an infographic from Lee and Lows. But, according to Yang, that’s quickly changing. “The kinds of stories that are being in told have grown by leaps and bounds since I was a kid growing up in the ’80s,” he says.Here are a handful of graphic novels that deal with some aspect of racial justice, whether it’s an individual identity or a community coming to terms with itself.
Published on Oct 6, 2014
A time machine, allowing our hero, Black Archaeologist, to visit great moments in black history, is invented. It’s called , The Way Black In Time Machine.