‘Magna Carta Holy Grail’: A Track By Track Review Of Jay-Z’s Album

This article is at least one month old from my posting date, yet it had to be done. Jay Z, as with other hip hop rappers, was a blip on my radar until the individual stands out in the public sphere as a leader. Usually, they are bashed insanely with political commentary. That is when you know they are pushing all of the right buttons. Yes, Jay Z is. I might have to write this thesis myself, as unfamiliar as I am with hip hop culture. It would be worth the struggle.

Barely three weeks has passed since Kanye shook the hip-hop world with Yeezus, and now good friend and fellow Def Jam rapper, Jay-Z has released his latest album, Magna Carta Holy Grail, with a media stunt all of his own: a deal with Samsung giving away a million copies of the album to Galaxy product users via a downloadable app. Although Jay-Z has admitted in the past that lyrically he is no Talib Kweli, known rather for catchy hooks and impeccable production, save for a few places of lyrical laziness this album is coated in historical references and filled with hidden/double meanings. While no Yeezus, Jay shows growths as a rapper, covering a myriad of content, from self-loathing in his fame to commentary on race and class, and reminds us he is still sturdily at the top of his game, perhaps more than ever.  

via ‘Magna Carta Holy Grail’: A Track By Track Review Of Jay-Z’s Album.

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